These tools often include articles and reports on media industries subfields such as marketing, management, sales, distribution, and exhibition that are not adequately covered by “film studies” subject databases. To access this content, media industries scholars should look to resources outside of the discipline and augment their research with resources that are branded as business, industry, and legal research databases. However, contemporary media industries research requires more in-depth coverage of trade publications than is typically provided by the film and television databases mentioned above. Thanks to major digitization efforts like the open access Media History Digital Library and the Entertainment Industry Magazine Archive (ProQuest), media historians increasingly enjoy online cover-to-cover access to twentieth-century media industries trade publications that provide searchable access to historic content. Although these sources certainly contain articles from scholarly journals, popular magazines, and major trade publications, they are still heavily weighted toward scholarly film studies literature, which focuses on representation, critical theory, and film and television history. Beyond monographs and large interdisciplinary full-text resources such as JSTOR and Project Muse, likely database sources might include discipline-specific sources such as Performing Arts Periodicals Database (ProQuest), International Index to Film Periodicals (ProQuest), or Film & Television Literature Index (EBSCO). Media industries studies researchers engaged in a literature review may begin in a variety of places, depending on the scope of their work and the questions about the industry they are pursuing.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |